Infographic design for:
EVE - Solo Performance:
The Independent Creator in the Field of Theater 2013-2023
EVE (the Israeli Association for Independent Creators) initiated a study on independent creators in the field of theater.
The data collected in the study is presented through seven short stories. These stories highlight the unique needs and behaviors of independent theater creators and attempt to characterize the profile of the independent creator.
English Translation
EVE - Solo Performance:
The Independent Creator in the Field of Theater 2013-2023
EVE (the Israeli Association for Independent Creators) initiated a study on independent creators in the field of theater.
The data collected in the study is presented through seven short stories. These stories highlight the unique needs and behaviors of independent theater creators and attempt to characterize the profile of the independent creator.
English Translation
Solo Performance:
The Independent Creator in the Field of Theater 2013-2023
Language: Hebrew
Researchers: Yeala Hazut Yanuka and Dr. Tal Feder
EVE CEO: Anat Radnay
Content and Project Manager:
Lital Nimrod
The Independent Creator in the Field of Theater 2013-2023
Language: Hebrew
Researchers: Yeala Hazut Yanuka and Dr. Tal Feder
EVE CEO: Anat Radnay
Content and Project Manager:
Lital Nimrod
Chapter 01 | Who is the Independent Creator?
The visuals in this story were designed inspired by the play Hamlet, the famous tragedy by Shakespeare. The design reflects the fictional world of the play, considering the setting of the plot and the spirit of the era: the royal class in the Elizabethan period.
The design, and particularly the iconic skull imagery, echoes the well-known quote "To be or not to be" and perhaps hints at the similarity between the protagonist of the play and the subject of the research — the independent creator — in relation to this existential question.
The visuals in this story were designed inspired by the play Hamlet, the famous tragedy by Shakespeare. The design reflects the fictional world of the play, considering the setting of the plot and the spirit of the era: the royal class in the Elizabethan period.
The design, and particularly the iconic skull imagery, echoes the well-known quote "To be or not to be" and perhaps hints at the similarity between the protagonist of the play and the subject of the research — the independent creator — in relation to this existential question.
Chapter 02 | Gender
The visuals in the gender-focused story were inspired by performance artist Marina Abramović.
Most of the works by the artist referenced in the visuals were taken from her collaborative period with artist Ulay (Uwe Laysiepen) - works that placed gender tension at the core of their creation Among her additional works: The House with the Ocean View (2002), The Artist Is Present (2010), and
The Energy Clothes (2001).
The visuals in the gender-focused story were inspired by performance artist Marina Abramović.
Most of the works by the artist referenced in the visuals were taken from her collaborative period with artist Ulay (Uwe Laysiepen) - works that placed gender tension at the core of their creation Among her additional works: The House with the Ocean View (2002), The Artist Is Present (2010), and
The Energy Clothes (2001).
Chapter 03 | Genre, Diversity of Styles
The visuals in the style-focused story were inspired by two works of the iconic choreographer Pina Bausch: Café Müller (1978) and Nelken (Carnations, 1982). Bausch, aside from being a highly acclaimed and accomplished female choreographer, was a trailblazer in the modern dance world in terms of style and one of the leading figures in the development of a new genre: dance-theater.
The visuals in the style-focused story were inspired by two works of the iconic choreographer Pina Bausch: Café Müller (1978) and Nelken (Carnations, 1982). Bausch, aside from being a highly acclaimed and accomplished female choreographer, was a trailblazer in the modern dance world in terms of style and one of the leading figures in the development of a new genre: dance-theater.
Chapter 04 | Independent Economy
The visuals in this story were inspired by the famous comedy The Miser by Molière and the thematic world of his plays. The quote “Alas, my poor money” is spoken by the character Harpagon, as translated by Natan Alterman, when Harpagon believes he has lost all his fortune.
The visuals in this story were inspired by the famous comedy The Miser by Molière and the thematic world of his plays. The quote “Alas, my poor money” is spoken by the character Harpagon, as translated by Natan Alterman, when Harpagon believes he has lost all his fortune.
Chapter 05 | Funding for Productions
The visuals in this story were inspired by the play The Bride and the Butterfly Hunter by Nissim Aloni. Written in 1966, the play is considered one of the unique cornerstones of the Israeli canon and has been performed numerous times over the years, maintaining its relevance. The design also references the visual inspiration upon which Aloni’s original play is based — a painting by artist and designer Yosl Bergner bearing the same name.
The visuals in this story were inspired by the play The Bride and the Butterfly Hunter by Nissim Aloni. Written in 1966, the play is considered one of the unique cornerstones of the Israeli canon and has been performed numerous times over the years, maintaining its relevance. The design also references the visual inspiration upon which Aloni’s original play is based — a painting by artist and designer Yosl Bergner bearing the same name.
Chapter 06 | Professional Loneliness, Social Resilience and Community
The visuals in this story reference the iconic play ״Waiting for Godot״ by Samuel Beckett. The images draw from the well-known visual framework of the play — the desolate, alienating setting where the characters wait: a road through fields, a tree, at dusk. Alongside its many themes and interpretations, the play prominently highlights the theme of loneliness and the resilience found in togetherness. After all, what would Didi and Gogo have done without each other? The quotes are taken from the play as translated by Moli Melzer.
The visuals in this story reference the iconic play ״Waiting for Godot״ by Samuel Beckett. The images draw from the well-known visual framework of the play — the desolate, alienating setting where the characters wait: a road through fields, a tree, at dusk. Alongside its many themes and interpretations, the play prominently highlights the theme of loneliness and the resilience found in togetherness. After all, what would Didi and Gogo have done without each other? The quotes are taken from the play as translated by Moli Melzer.
Chapter 07 | Platforms Supporting Independent Creation
The visuals in this story were designed with local inspiration and as a tribute to the long-standing and significant institution for creators and independent creation in Israel to this day: the Acco Festival of Alternative Israeli Theatre. The visuals reference the festival’s uniquely iconic location in the Crusader Halls of Old Akko, as well as the vibrant and colorful street performances.
The visuals in this story were designed with local inspiration and as a tribute to the long-standing and significant institution for creators and independent creation in Israel to this day: the Acco Festival of Alternative Israeli Theatre. The visuals reference the festival’s uniquely iconic location in the Crusader Halls of Old Akko, as well as the vibrant and colorful street performances.
Infographic, Icon and layout design.
The strategic work plan for heritage projects -
The National Library of Israel
2023 summary
*selected pages
The strategic work plan for heritage projects -
The National Library of Israel
2023 summary
*selected pages
The National Library of Israel, 2023
Language: Hebrew
Language: Hebrew
Infographics* and cover design for the book: Punching Above Its Weight | Sophie Shulman
Many of its successes lie in the crises, threats and difficulties that have accompanied Israel since its founding, and the ability to turn enormous challenges into unimaginable successes is the Israeli story.
*selected pages
Many of its successes lie in the crises, threats and difficulties that have accompanied Israel since its founding, and the ability to turn enormous challenges into unimaginable successes is the Israeli story.
*selected pages
Punching Above Its Weight
Yedioth Books, 2023
Language: Hebrew
Author: Sophie Shulman
Editor: Mika Dafni-Zait
Design: Noah Ambar
Project manager: Ruthy Ben-Ari
Language editor: Rotem Kislev
Yedioth Books, 2023
Language: Hebrew
Author: Sophie Shulman
Editor: Mika Dafni-Zait
Design: Noah Ambar
Project manager: Ruthy Ben-Ari
Language editor: Rotem Kislev
Womans Day came and left. With one difference. @the israel women's network made a post with one question what word most irritates you as a woman? The most irritating word was: calm down the second was husband (in Hebrew) which translates to owner
Don’t Buy Me a Rose
G Magazine (Globes), 2021
Language: Hebrew
G Magazine (Globes), 2021
Language: Hebrew
Barack Obama, the 44th president of the US left the White House.
When he took office, the US economy was in an abysmal state. He managed to reignite it.
When he took office, the US economy was in an abysmal state. He managed to reignite it.
Obama-Fun, The END
Calcalist Newspaper, 2017
Language: Hebrew
Editor: Tamar Tunik
Calcalist Newspaper, 2017
Language: Hebrew
Editor: Tamar Tunik
